Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks

Contenido principal del artículo

Diego Antonio Barrado-Timon
Carmen Hidalgo-Giralt
Antonio Palacios-García
Héctor Ochoa-Ortiz
Miguel Sevilla-Callejo

Resumen

Percepción del espacio urbano filmado: un análisis de los imaginarios construidos sobre Madrid a través de las series y las redes sociales


En pleno auge de la cultura visual, el turismo cinematográfico ha experimentado un importante impulso en las últimas décadas; modalidad a la que se le ha sumado recientemente la motivación por conocer lugares donde han sido rodadas series para televisión o plataformas. En este contexto, y tomando como referencia al municipio de Madrid, se ha planteado un trabajo que, al análisis entre las relaciones del espacio geográfico y el audiovisual a través del uso cultural y turístico, une la representación de ambos a través de las redes sociales (Twitter). Metodológicamente se ha diseñado una ‘interfaz de programación de aplicaciones’ (application programming interface) que ha permitido descargar una muestra de tweets, que posteriormente se han analizado tanto cuantitativa como cualitativamente. Las principales conclusiones muestran el impacto que en el reconocimiento de la ciudad o de algunos de sus elementos tienen las series de ficción, así como las relaciones que se establecen entre el espacio narrativo y el geográfico cuando este último es usado para actividades in situ. Teóricamente se incide en la relación entre geografías reales, geografías imaginadas y simulacro, así como en su implicación en la mercantilización del espacio y en la construcción de experiencias geográficas vicarias.



Descargas

La descarga de datos todavía no está disponible.

Detalles del artículo

Cómo citar
Barrado-Timon, D. A., Hidalgo-Giralt, C. ., Palacios-García, A. ., Ochoa-Ortiz, H. ., & Sevilla-Callejo, M. (2022). Perception of the filmed urban space: an analysis of the imaginaries of Madrid constructed through series and social networks . Boletín De La Asociación De Geógrafos Españoles, (95). https://doi.org/10.21138/bage.3294

Bibliografía

Aertsen, V., Gámir, A., & Manuel, C. (2015). El cine de ficción y el estudio de las transformaciones urbanas. El caso de Madrid. In M.A. Chaves (Ed.), Ciudad y Comunicación (pp. 39-48). Grupo de Investigación Arte, Arquitectura y Comunicación en la Ciudad Contemporánea. UCM.

Aertsen, V., Gámir, A., & Manuel, C. (2018). La imagen cinematográfica de la Plaza Mayor de Madrid. Ciudad y Territorio, Estudios Territoriales, L(197), 539-556. https://recyt.fecyt.es/index.php/CyTET/article/view/76681/46997

Aertsen, V., Gámir, A., & Manuel, C. (2020). De 'El pisito' a la Casa de la Moneda: la historia de Madrid en el cine y la tv. In The Conversation. https://theconversation.com/de-el-pisito-a-la-casa-de-la-moneda-la-historia-de-madrid-en-el-cine-y-la-tv-148967

Aertsen, V., Gámir, A., Manuel, C., & Mélgar, L. (2019). Analysis of a filmed urban area through a GIS Tool: Madrid Movie Map. In C. Lukinbeal (Ed.), Media’s mapping impulse (pp. 213-234). Franz Steiner Verlag.

Anaz, N., & Ozcan, C. (2016). Geography of Turkish soap operas: Tourism, soft power, and alternative narratives. In I. Egresi (Ed.), Alternative tourism in Turkey (pp. 247-258). Springer. https://link.springer.com/chapter/10.1007/978-3-319-47537-0_15

Bakan, O. (2021). Screenscaping Istanbul: reproduction of the city image in tv series (Doctoral dissertation, Yaşar University, Turkey). https://www.researchgate.net/profile/Oemer-Bakan/publication/356904178_Screenscaping_Istanbul_Reproduction_of_the_city_image_in_TV_series/links/61b206858429577d97af8cf3/Screenscaping-Istanbul-Reproduction-of-the-city-image-in-TV-series.pdf

Balli, F., Balli, H., & Cebeci, K. (2013). Impacts of exported Turkish soap operas and visa-free entry on inbound tourism to Turkey. Tourism Management, 37, 186-192. https://doi.org/10.1016/j.tourman.2013.01.013

Barrado-Timón, D.A., & Hidalgo-Giralt, C. (2019). The historic city, its transmission and perception via augmented reality and virtual reality and the use of the past as a resource for the present: a new era for urban cultural heritage and tourism? Sustainability, 11(10), 2835. https://doi.org/10.3390/su11102835

Barrado-Timón, D., & Sáez-Cala, A. (2020). Cinema and tourism in large cities: the case of Madrid (Spain). Estudios turísticos, 220, 115-132. https://turismo.janium.net/janium/Objetos/REVISTAS_ESTUDIOS_TURISTICOS/ET_220_06_Cinema_tourism_cities.pdf

Beeton, S. (2005). Film induced tourism. Channel View Publications.

Bell, C., & Lyall, J. (2005). ‘I was here’: pixilated evidence. In D. Crouch et al. (Eds.), The media and the tourist imagination (pp. 149-156). Routledge.

Bolan, P., & Williams, L. (2008). The role of image in service promotion: focusing on the influence of film on consumer choice within tourism. International Journal of Consumer Studies, 32, 382-390. https://doi.org/10.1111/j.1470-6431.2008.00672.x

Bollhöfer, B. (2007). ‘Screenscapes’: Placing TV series in their contexts of production, meaning and consumption. Tijdschrift voor economische en sociale geografie, 98(2), 165-175. https://doi.org/10.1111/j.1467-9663.2007.00389.x

Brotman, B. (2022). Game of Thrones and tourism impacts on Croatian housing prices. Tourism Analysis, 27(1), 113-118. https://doi.org/10.3727/108354221X16140381653042

Busby, G., & Klug, J. (2001). Movie induced tourism: The challenge of measurement and other issues. Journal of Vacation Marketing, 7(4), 316-332. https://doi.org/10.1177/135676670100700403

Camprubi, R., & Coromina, L. (2016). La influencia de las fuentes de información en la formación de la imagen turística. Revista de Turismo y Patrimonio Cultural. Pasos, 14 (4), 781-796. http://www.pasosonline.org/Publicados/14416/PS416_01.pdf

Celik Rappas I., & Kayhan, S. (2018). TV Series Production and the Urban Restructuring of Istanbul. Television & New Media, 19(1), 3-23. https://doi:10.1177/1527476416681500

Chang-Hua, Y., & Hsiu-Yu, T. (2015). Celebrity involvement, perceived value, and behavioral intentions in popular media-induced tourism. Journal of Hospitality & Tourism Research, 39(2), 225-244. https://doi.org/10.1177/1096348012471382

Connell, J. (2012). Film tourism – Evolution, progress and prospects. Tourism Management, 33(5), 1007-1029. https://doi.org/10.1016/j.tourman.2012.02.008

Connell, J., & Meyer, D. (2009). Balamory revisited: An evaluation of the screen tourism destination-tourist nexus. Tourism Management, 30(2), 194-207. https://doi.org/10.1016/j.tourman.2008.06.001

Contu, G., & Pau, S. (2022). The impact of TV series on tourism performance: the case of Game of Thrones. Empirical Economics, 1-30. https://doi.org/10.1007/s00181-022-02228-2

Couldry, N. (1998). The view from inside the 'simulacrum‘: visitors’ tales from the set of Coronation Street. Leisure Studies, 17(2), 94-107. https://doi.org/10.1080/026143698375178

Croy, G., & Heitmann, S. (2011). Tourism and film. In P. Robinson, S. Heitmann & P. Dieke (Eds.), Research themes for tourism (pp. 188-204). CABI.

Davin, S. (2005). Tourists and television viewers-some similarities. In D. Crouch et al. (Eds.), The media and the tourist imagination (pp. 170-182). Routledge.

Ertz, M., Sarigöllü, E., Karakas, F., & Chehab, O. (2021). Impact of TV dramas on consumers' travel, shopping and purchase intentions. Journal of Consumer Behaviour, 20(3), 655-669. https://onlinelibrary.wiley.com/doi/10.1002/cb.1891

Fernández-Manzano, E., Neira, E., & Clares-Gavilán, J. (2016). Data management in audiovisual business: Netflix as a case study. Profesional de la información, 25(4), 568-576. https://doi.org/10.3145/epi.2016.jul.06

Fish, R. (2005). Mobile viewers-media producers and the televisual tourist. In Crouch, D. et al. (Eds.). The media and the tourist imagination (119-134). Routledge.

Gámir, A. (2015). Geografía y cine. La representación del espacio geográfico en las películas de producción occidental. Tirant lo Blanch.

Gibson, S. (2018). The landscapes and aesthetics of soap opera: Townships, television and tourism. Journal of African Cinemas, 10(1-2), 95-110. https://doi.org/10.1386/jac.10.1-2.95_1

Gómez-Morales, B., Nieto-Ferrando, J., & Sánchez-Castillo, S. (2022). (Re)Visiting Game of Thrones: film-induced tourism and television fiction. Journal of Travel & Tourism Marketing, 39(1), 73-86. https://doi.org/10.1080/10548408.2022.2044971

Gonzales, A., Pigott, F., Moffitt, J., 42B, Kolb, J., Montague, J., Piper, A., Specker, A., & Domingues, L.F. (2022). Python client for the Twitter API v2 search endpoints [Python, GitHub repository]. @TwitterDev. https://github.com/twitterdev/search-tweets-python/tree/v2

Gunn, C. (1972). Vacationscape: Designing tourist environments. University of Texas.

Hahm, J., & Wang, Y. (2011). Film-induced tourism as a vehicle for destination marketing: Is it worth the efforts? Journal of Travel & Tourism Marketing, 28(2), 165-179. https://doi.org/10.1080/10548408.2011.546209

Harvey, D. (1989). The condition of postmodernity: An enquiry into the origins of cultural change. Wiley-Blackwell.

Jackson, R. (2005). Converging cultures; converging gazes; contextualizing perspectives. In D. Crouch et al. (Eds.), The media and the tourist imagination (pp. 197-211). Routledge.

Jiao, J., Holmes, M., & Griffin, G. (2018). Revisiting image of the city in cyberspace: Analysis of spatial Twitter messages during a special event. Journal of Urban Technology, 25(3), 65-82. https://doi.org/10.1080/10630732.2017.1348881

Kennedy, C., & Lukinbeal, C. (1997). Towards a holistic approach to geographic research on film. Progress in Human Geography, 21(1), 33-50. https://doi.org/10.1191/030913297673503066

Kinder, M. (2008). Re-Wiring Baltimore: The emotive power of systemics, seriality, and the city. Film Quarterly, 62(2), 50-57. https://doi.org/10.1525/fq.2008.62.2.50

MacCannell, D. (1976). The tourist. A new theory of the leisure class. Schocken Books.

Mellinas, J. (2020). Measuring the impact of Game of Thrones on tourism through online reviews. E-review of Tourism Research, 17(4), 479-489. https://journals.tdl.org/ertr/index.php/ertr/article/view/534

Mordue, T. (2001). Performing and directing resident/tourist cultures in Heartbeat country. Tourist Studies, 1(3), 233-252. https://doi.org/10.1177/146879760100100302

Morgan, H. (2014). Media as a spatial practice: Treme and the production of the media neighbourhood. Continuum, 28(3), 286-299. https://doi.org/10.1080/10304312.2014.900878

Natalie (2020). “Elite” Is The One To Beat. Binge Report. In TvTime. https://www.tvtime.com/article/binge-report-week-of-march-9-elite

Neira, E., Clares-Gavilán, J., & Sánchez-Navarro, J. (2021). New audience dimensions in streaming platforms: the second life of Money heist on Netflix as a case study. Profesional de la información, 30(1). https://doi.org/10.3145/epi.2021.ene.13

O’Connor, N., & Bolan, P. (2008). Creating a sustainable brand for Northern Ireland through film induced tourism. Tourism, Culture & Communication, 8(3), 147-158. https://doi.org/10.3727/109830408786177515

Rappas, I., & Kayhan, S. (2016). TV Series Production and the Urban Restructuring of Istanbul. Television & New Media, 19(1), 3-23. https://doi.org/10.1177/1527476416681500

Riley, R. (1994). Movie-induced tourism. In A. Seaton (Ed.), Tourism. The State of the Art (pp. 453-458). John Wiley and Sons.

Riley, R., & Van Doren, C. (1992). Movies as tourism promotion: A ‘pull’ factor in a ‘push’ location. Tourism Management, 13(3), 267-274. https://doi.org/10.1016/0261-5177(92)90098-R

Riley, R., Baker, D., & Van Doren, C. (1998). Movie-induced tourism. Annals of Tourism Research, 25(4), 919-935. https://doi.org/10.1016/S0160-7383(98)00045-0

Rojek, C. (1993). Ways of escape: Modern transformations in leisure and travel. Springer.

Sadler, W., & Haskins, E. (2005). Metonymy and the metropolis: Television show settings and the image of New York City. Journal of Communication Inquiry, 29(3), 195-216. https://doi.org/10.1177/0196859905275971

Sangkyun, K. (2012). Audience involvement and film tourism experiences: Emotional places, emotional experiences. Tourism Management, 33(2), 387-396. https://doi.org/10.1016/j.tourman.2011.04.008

Sangkyun, K., Long, P., & Robinson, M. (2009). Small screen, big tourism: The role of popular SKorean television dramas in South Korean tourism. Tourism Geographies, 11(3), 308-333. https://doi.org/10.1080/14616680903053334

Skoko, B., & Miličević, K. (2020). Challenges of film-induced tourism in Croatia: From Winnetou to Game of Thrones. In M. Månsson, A. Buchmann, C. Cassinger & L. Eskilsson (Eds.), The Routledge Companion to Media and Tourism (pp. 206-214). Routledge. https://doi.org/10.4324/9780429430398

Soojin, L., Scott, D., & Hyounggon, K. (2008). Celebrity fan involvement and destination perceptions. Annals of Tourism Research, 35(3), 809-832. https://doi.org/10.1016/j.annals.2008.06.003

Stylos, J., Faulring, A., Yang, Z., & Myers, B.A. (2009). Improving API documentation using API usage information. In IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC) (pp.119-126). https://doi.org/10.1109/VLHCC.2009.5295283

Tkalec, M., Zilic, I., & Recher, V. (2017). The effect of film industry on tourism: Game of Thrones and Dubrovnik. International Journal of Tourism Research, 19(6), 705-714. https://doi.org/10.1002/jtr.2142

Torchin, L. (2002). Location, location, location: The destination of the Manhattan TV Tour. Tourist Studies, 2(3), 247-266. https://doi.org/10.1177/14687976020023002

Tornes, A., & Trujillo, L. (2021). Enabling the future of academic research with the Twitter API. In Twitter Developer Platform Blog. https://blog.twitter.com/developer/en_us/topics/tools/2021/enabling-the-future-of-academic-research-with-the-twitter-api

Tuen-Man, Ng., & Chung-Shing, C. (2019). Investigating film-induced tourism potential: The influence of Korean TV dramas on Hong Kong young adults. Asian Geographer, 37(1), 53-73. https://doi.org/10.1080/10225706.2019.1701506

Twitter (n.d.). Search Tweets. How to build a query. In Developer Platform, Twitter. https://developer.twitter.com/en/docs/twitter-api/tweets/search/integrate/build-a-query

Twitter, Developer Platform (n.d.). Search Tweets. Building queries for Search Tweets. In Developer Platform, Twitter. https://developer.twitter.com/en/docs/twitter-api/tweets/search/integrate/build-a-query

Tzanelli, R. (2016). From Game of Thrones to game of sites/sights: Reconfiguring a transnational cinematic node in Ireland's e-tourism. In K. Hannam, M. Mostafanezhad & J. Rickly (Eds.), Event Mobilities: Politics, Place and Performance. Routledge Advances in Event Research (pp. 1-29). Routledge.

Urry, J. (1990). The tourist gaze. SAGE.

Urry, J. (1994). Cultural change and contemporary tourism. Leisure Studies, 13(4), 233-238. https://www.tandfonline.com/doi/citedby/10.1080/02614369409510672?scroll=top&needAccess=true

West, P. (2009). The city of our times: space, identity, and the body in CSI: Miami. In M. Byers & V.M. Johnson (Eds.), The CSI effect: television, crime, and governance (pp. 111-131). Lexington Books.

Zarate, P. (December 20, 2021). 'La casa de papel' y las cifras de su éxito en Netflix: así ha rendido su final. In VerTele! https://vertele.eldiario.es/series/la-casa-de-papel-money-heist-netflix-cifras-exito-final_1_8595536.html